
Nicholas sent me these images of his beautiful work the other day. I didn’t really know which to select to feature so I decided on a few. First up, we have the Hsien panels.
The act of decorating and describing shapes from the subconscious liberates what I now believe are sacred objects. That’s why I’ve called them Hsien objects, panels or shapes.
Any decent painting or sculpture ideally has an otherworldly quality to it, not so? The venerated object, whether it’s a sceptre, an orb, a fetish, relic, tattoo, sportscar, necklace, an ipod, garment or crown of state possesses, projects or wields power often beyond or greater than its physical appearance right? It’s job is to attract, summon, focus or magnify sensations. And it is singly able to transport or relocate your sense of location. In fact, a good Hsien object, shape or pattern to my mind, should relocate or even dislocate the viewer’s whereabouts by sight, touch or both.

And the wonderfully playful Afrobot paintings and ceramics series.


Should you be interested in Nicholas’s work or wishing to represent him please contact him on the following details:
Nicholas P. Hauser
+27 11 640 3644
+27 84 293 6812
nickhauser@mweb.co.za
johnnymahala@gmail.com
Download his portfolios below: see more images, measurements and details of his work (all pdf documents):
- Afrobot Ceramics
- Afrobot Ceramics price list
- Hsien Panels portfolio
- Hsien price list
- Nicholas Hauser’s CV
Tuesday, December 16, 2008

How lucky do I feel? One of my good friends, Cath Paynter, an artist/painter, sent this painting as a Christmas gift.
Ever since I saw it on her site a month ago I’ve been plotting on how I’d get it before it was sold. Unfortunately she told me it had been a week or two thereafter. Oh well…
So imagine my surprise when I opened the package from Postnet to find the quirky leopard painting…
Thanks Cath, you’re the best.
www.catherinepaynter.co.za
Wednesday, April 30, 2008






Some days you realise you have been given a gift, a message, directions for a new destination… when a friend mentioned Cyril Coetzee to me when I enquired if she knew of any art teachers in my area (Rivonia Jhb), I had never heard of Cyril Coetzee. On researching him on the net, I was simply blown away by his works - especially his narrative oil paintings. I have yet to pick up the courage to call and ask if there might be a space on his workshops for lil ‘ol me (I did Higher art for Matric about a millenium ago?) but I live in hope… his most breathtaking piece was commissioned by the University of the Witwatersrand in 1996 - it is a 28 square metre canvas for the William Cullen Library, an internationally renowned archive, and is titled T’kama-Adamastor. A large format art book focussing on the painting was published, elaborating on the themes, the commissioning and related works… a treasure chest of symbolism.
In basic terms, as described to me, as I haven’t read the book… it is the impression seen from the eyes of the indigenous tribes of the first landings of the Dutch colonists, arriving in their boats which looked like ducks, out of which poured more little ducks… (imagery is related to their hats). What I love about his work, are the stories behind them… you can’t look at them and immediately know ‘oh, that’s a landscape’ or a nude, etc… rather you are drawn into each piece, searching for the message, your intrigue growing as you slowly unwrap meanings, some your own and some sourced from your own particular perspective of life… they are really an adventure of iconic images that seem to have been birthed in our dreams.
Yup, gonna make that call, when I get the courage… You can only ask.
Tuesday, November 6, 2007

“Geometry, in general and repeat patterns specifically, (Escher, Alhambra, Nature) have always dominated my creative process. When a friend introduced me to Penrose’s aperiodic tiling seven years ago, I became interested in their visual implications and I have been obsessed by them ever since. The grid I use was constructed with unsophisticated equipment to give it a hand-made, rather than computer-generated look, while strictly adhering to the mathematics of aperiodicity.”
I first saw one of her intricate porcelain plates in a book (Ultimate Guide to Local Design) that I bought a while ago and was captivated by the detail.
www.christinabryer.com or email her at christinabryer@telkomsa.net
Saturday, September 29, 2007
Saturday, September 29, 2007

Contact Martin Mayongo at yongospottery@webmail.co.za or +27 (0) 21 361-3841
Saturday, September 29, 2007


Contact Bethuel Mapheto at his website: http://www.nokodesignscc.co.za/
Friday, September 28, 2007